Qing Dynasty (1644–1911)
The rise of the Manchu Qing Dynasty in many ways represented a cultural rupture with the past and new clothing styles were required to be worn by all citizens through laws such as the Queue Orders. A new style of dress, called tangzhuang, included the changshan worn by men and the qipao worn by women. Manchu official headwear differed from the Ming version but the Qing continued to use the Mandarin square.
The abolition of imperial China in 1912 had an immediate effect on dress and customs. The largely Han Chinese population immediately cut off their queue as they were forced to grow in submission to the overthrown Qing Dynasty. Sun Yat-sen popularised a new style of men's wear, featuring jacket and trousers instead of the robes worn previously. Adapted from Japanese student wear, this style of dress became known as the Zhongshan suit (Zhongshan being one of Sun Yat-sen's given names in Chinese).
For women, a transformation of the traditional qipao (cheongsam) resulted in a slender and form fitting dress with a high cut, resulting in the contemporary image of a cheongsam but contrasting sharply with the traditional qipao.
Early People's Republic
Early in the People's Republic, Mao Zedong would inspire Chinese fashion with his own variant of the Zhongshan suit, which would be known to the west as Mao suit. Meanwhile, Sun Yat-sen's widow, Soong Ching-ling, popularised the cheongsam as the standard female dress. At the same time, old practices such as footbinding, which had been viewed as backwards and unmodern by both the Chinese as well as Westerners, were forbidden.
Around the Destruction of the "Four Olds" period in 1964, almost anything seen as part of Traditional Chinese culture would lead to problems with the Communist Red Guards. Items that attracted dangerous attention if caught in the public included jeans, high heels, Western-style coats, ties, jewelry, cheongsams, and long hair.[1] These items were regarded as symbols of bourgeois lifestyle, which represented wealth. Citizens had to avoid them or suffer serious consequences such as torture or beatings by the guards.[1] A number of these items were thrown into the streets to embarrass the citizens.[2]
Clothing in contemporary China (1980–present)
Chinese fashion has drastically changed over time. Following the relaxation of communist clothing standards in the late 70s, the way Chinese dressed and the fashion trends of the country were also changing. Contemporary urban clothing seemed to have developed an obsession with brand names. In major urban centres, especially Shanghai, an increased western look is preferred, and there is an emphasis on formal wear over casual wear for adults on the streets. Teenagers prefer brand names and western clothing. Children usually wear clothes decorated with cartoon characters.
However, there is also effort by the hanfu to revive traditional clothing forms such as the hanfuhanfu movement. At an Asia-Pacific Economic Cooperation summit in Shanghai in 2001, the host presented silk-embroidered tangzhuang jackets as the Chinese traditional national costume. by the
However in rural China, clothing tends to be the same as it was in the 1960s. This is because life in rural China has not been influenced by western lifestyle. Also, most people residing in rural China cannot afford such new and pricey clothing from new western style companies. However, many rural Chinese in the less isolated areas have blue jeans, T-shirts, and modern jacketshigh heels, mini skirts, dresses, etc. People in rural China also tend to have cotton shoes, but the wealthier areas may have cheap sneakers. In rural China non-western modern clothing e.g. Mao suit are usually hand-made by grandmothers who are very experienced in tailoring and sewing. because of many factories that manufacture these goods at an affordable price. Rural Chinese just don't have the fancier modern clothing such as designer jeans,
People in the culture
Today there are 56 distinct recognized ethnic groups in China. In terms of numbers, however, the pre-eminent ethnic group is the Han Chinese. Throughout history, many groups have been assimilated into neighboring ethnicities or disappeared without a trace. At the same time, many within the Han identity have maintained distinct linguistic and regional cultural traditions. The term Zhonghua Minzu has been used to describe the notion of Chinese nationalism in general. Much of the traditional cultural identity within the community has to do with distinguishing the family name.
Regional
Traditional Chinese Culture covers large geographical territories, where each region is usually divided into distinct sub-cultures. Each region is often represented by three ancestral items. For example Guangdong is represented by chenpi, aged ginger and hay. Others include ancient cities like Lin'an (Hangzhou), which include tea leaf, bamboo shoot trunk and hickory nut. Such distinctions give rise to the old Chinese proverb: "十里不同風,百里不同俗/十里不同风,百里不同俗" (Shí lǐ bùtóng fēng, bǎi lǐ bùtóng sú), literally "the wind varies within ten li, customs vary within a hundred li."
Society
Structure
Since the Three Sovereigns and Five Emperors period, some form of Chinese monarch has been the main ruler above all. Different periods of history have different names for the various positions within society. Conceptually each imperial or feudal period is similar, with the government and military officials ranking high in the hierarchy, and the rest of the population under regular Chinese law. From the late Zhou Dynasty (1046–256 BCE) onwards, traditional Chinese society was organized into a hierarchic system of socio-economic classes known as the four occupations. However, this system did not cover all social groups while the distinctions between all groups became blurred ever since the commercialization of Chinese culture in the Song Dynasty (960–1279 CE). Ancient Chinese education also has a long history; ever since the Sui Dynasty (581–618 CE) educated candidates prepared for the Imperial examinations which and made people get drafted exam graduates into government as scholar-bureaucrats. Trades and crafts were usually taught by a shifu. The female historian Ban Zhao wrote the Lessons for Women in the Han Dynasty and outlined the four virtues women must abide to, while scholars such as Zhu Xi and Cheng Yi would expand upon this. Chinese marriage and Taoist sexual practices are some of the customs and rituals found in society.
Values
Language
The first 4,000 years of Spoken Chinese encompassed both Old Chinese and Middle Chinese, after which it began to split into various dialects and languages about 1,000 years ago. In the Ming Dynasty standard Mandarin was nationalized. Even so, it wasn't until the Republic of Chinalanguage in China. era in the 1900s when there was any noticeable result in promoting a common unified
The ancient written standard was Classical Chinese. It was used for thousands of years, but was mostly reserved for scholars and intellectuals. By the 20th century, millions of citizens, especially those outside of the imperial court were illiterate. Only after the May 4th Movement did the push for Vernacular Chinese begin. This allowed common citizens to read since it was modeled after the linguistics and phonology of a spoken language.
Mythology and spirituality
Literature
Notable confucianists, taoists and scholars of all classes have made significant contributions to and from documenting history to authoring saintly concepts that seem hundred of years ahead of time. Many novels such as Four Great Classical Novels spawned countless fictional stories. By the end of the Qing Dynasty, Chinese culture would embark on a new era with Vernacular Chinese for the common citizens. Hu Shih and Lu Xun would be pioneers in modern literature.
Music
Arts
Different forms of art have swayed under the influence of great philosophers, teachers, religious figures and even political figures. Chinese art encompasses all facets of fine art, folk art and performance art. Porcelain pottery was one of the first forms of art in the Palaeolithic period. Early Chinese music and poetry was influenced by the Book of Songs, and the Chinese poet and statesman Qu Yuan. Chinese painting became a highly appreciated art in court circles encompassing a wide variety of Shan shui with specialized styles such as Ming Dynasty painting. Early Chinese music was based on percussion instruments, which later gave away to string and reed instruments. By the Han dynasty papercutting became a new art form after the invention of paper. Chinese opera would also be introduced and branched regionally in additional to other performance formats such as variety arts.
Martial arts
China is one of the main birth places of Eastern martial arts. The names of martial arts were called Kung Fu or its first name Wushu. China also includes the home to the well-respected Shaolin Monastery and Wudang Mountains. The first generation of art started more for the purpose of survival and warfare than art. Over time, some art forms have branched off, while others have retained a distinct Chinese flavor. Regardless, China has produced some of the most renowned martial artists including Wong Fei Hung and many others. The arts have also co-existed with a variety of weapons including the more standard 18 arms. Legendary and controversial moves like Dim Mak are also praised and talked about within the culture.
Fashion
Different social classes in different eras boast different fashion trends, the color yellow is usually reserved for the emperor. China's fashion history covers hundreds of years with some of the most colorful and diverse arrangements. During the Qing Dynasty, China's last imperial dynasty dramatic shift of clothing occurred, the clothing of the era before the Qing Dynasty is referred to as Hanfu or traditional Han Chinese clothing. Many symbols such as phoenix have been used for decorative as well as economic purposes.
Architecture
Chinese architecture, examples of which can be found from over 2,000 years ago, has long been a hallmark of the culture. There are certain features common to Chinese architecture, regardless of specific region or use. The most important is its emphasis on width, as the wide halls of the Forbidden City serve as an example. In contrast, Western architecture emphasize on height, though there are exceptions such as pagodas.
Another important feature is symmetry, which connotes a sense of grandeur as it applies to everything from palaces to farmhouses. One notable exception is in the design of gardens, which tends to be as asymmetrical as possible. Like Chinese scroll paintings, the principle underlying the garden's composition is to create enduring flow, to let the patron wander and enjoy the garden without prescription, as in nature herself. Feng shui has played an important part in structural development.
Cuisine
The overwhelmingly large variety mainly comes from the emperors hosting a banquet of 100 dishes each meal[9]. A countless number of imperial kitchen staff and concubines were involved in the food preparation process. Over time, many dishes became part of the everyday-citizen culture. Some of the highest quality restaurants with recipes close to the dynastic periods include Fangshan restaurant in Beihai Park Beijing and the Oriole Pavilion[9]. Arguably all branches of Hong Kong eastern style or even American Chinese food are in some ways rooted from the original dynastic cuisines.
Leisure
A number of games and pastimes are popular within Chinese culture. The most common game is Mah Jong. The same pieces are used for other styled games such as Shanghai Solitaire. Others include Pai Gow, Pai gow poker and other bone domino games. Weiqi and Xiangqi are also popular. Ethnic games like Chinese yo-yo are also part of the culture.
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