Qing Dynasty (1644–1911)
The rise of the Manchu Qing Dynasty in many ways represented a cultural rupture with the past and new clothing styles were required to be worn by all citizens through laws such as the Queue Orders. A new style of dress, called tangzhuang, included the changshan worn by men and the qipao worn by women. Manchu official headwear differed from the Ming version but the Qing continued to use the Mandarin square.
The abolition of imperial China in 1912 had an immediate effect on dress and customs. The largely Han Chinese population immediately cut off their queue as they were forced to grow in submission to the overthrown Qing Dynasty. Sun Yat-sen popularised a new style of men's wear, featuring jacket and trousers instead of the robes worn previously. Adapted from Japanese student wear, this style of dress became known as the Zhongshan suit (Zhongshan being one of Sun Yat-sen's given names in Chinese).
For women, a transformation of the traditional qipao (cheongsam) resulted in a slender and form fitting dress with a high cut, resulting in the contemporary image of a cheongsam but contrasting sharply with the traditional qipao.
Early People's Republic
Early in the People's Republic, Mao Zedong would inspire Chinese fashion with his own variant of the Zhongshan suit, which would be known to the west as Mao suit. Meanwhile, Sun Yat-sen's widow, Soong Ching-ling, popularised the cheongsam as the standard female dress. At the same time, old practices such as footbinding, which had been viewed as backwards and unmodern by both the Chinese as well as Westerners, were forbidden.
Around the Destruction of the "Four Olds" period in 1964, almost anything seen as part of Traditional Chinese culture would lead to problems with the Communist Red Guards. Items that attracted dangerous attention if caught in the public included jeans, high heels, Western-style coats, ties, jewelry, cheongsams, and long hair items were regarded as symbols of bourgeois lifestyle, which represented wealth. Citizens had to avoid them or suffer serious consequences such as torture or beatings by the guards. A number of these items were thrown into the streets to embarrass the citizens.
Clothing in contemporary China (1980–present)
Chinese fashion has drastically changed over time. Following the relaxation of communist clothing standards in the late 70s, the way Chinese dressed and the fashion trends of the country were also changing. Contemporary urban clothing seemed to have developed an obsession with brand names. In major urban centres, especially Shanghai, an increased western look is preferred, and there is an emphasis on formal wear over casual wear for adults on the streets. Teenagers prefer brand names and western clothing. Children usually wear clothes decorated with cartoon characters.
However, there is also effort by the hanfu to revive traditional clothing forms such as the hanfuhanfu movement. At an Asia-Pacific Economic Cooperation summit in Shanghai in 2001, the host presented silk-embroidered tangzhuang jackets as the Chinese traditional national costume. by the
However in rural China, clothing tends to be the same as it was in the 1960s. This is because life in rural China has not been influenced by western lifestyle. Also, most people residing in rural China cannot afford such new and pricey clothing from new western style companies. However, many rural Chinese in the less isolated areas have blue jeans, T-shirts, and modern jacketshigh heels, mini skirts, dresses, etc. People in rural China also tend to have cotton shoes, but the wealthier areas may have cheap sneakers. In rural China non-western modern clothing e.g. Mao suit are usually hand-made by grandmothers who are very experienced in tailoring and sewing. because of many factories that manufacture these goods at an affordable price. Rural Chinese just don't have the fancier modern clothing such as designer jeans,
People in the culture
Identity
Today there are 56 distinct recognized ethnic groups in China.[3] In terms of numbers, however, the pre-eminent ethnic group is the Han Chinese. Throughout history, many groups have been assimilated into neighboring ethnicities or disappeared without a trace. At the same time, many within the Han identity have maintained distinct linguistic and regional cultural traditions. The term Zhonghua Minzu has been used to describe the notion of Chinese nationalism in general. Much of the traditional cultural identity within the community has to do with distinguishing the family name.
Regional
Traditional Chinese Culture covers large geographical territories, where each region is usually divided into distinct sub-cultures. Each region is often represented by three ancestral items. For example Guangdong is represented by chenpi, aged ginger and hay.[4][5] Others include ancient cities like Lin'an (Hangzhou), which include tea leaf, bamboo shoot trunk and hickory nut.[6]. Such distinctions give rise to the old Chinese proverb: "十里不同風,百里不同俗/十里不同风,百里不同俗" (Shí lǐ bùtóng fēng, bǎi lǐ bùtóng sú), literally "the wind varies within ten li, customs vary within a hundred li."Society
Structure
Since the Three Sovereigns and Five Emperors period, some form of Chinese monarch has been the main ruler above all. Different periods of history have different names for the various positions within society. Conceptually each imperial or feudal period is similar, with the government and military officials ranking high in the hierarchy, and the rest of the population under regular Chinese law.[7] From the late Zhou Dynasty (1046–256 BCE) onwards, traditional Chinese society was organized into a hierarchic system of socio-economic classes known as the four occupations. However, this system did not cover all social groups while the distinctions between all groups became blurred ever since the commercialization of Chinese culture in the Song Dynasty (960–1279 CE). Ancient Chinese education also has a long history; ever since the Sui Dynasty (581–618 CE) educated candidates prepared for the Imperial examinations which and made people get drafted exam graduates into government as scholar-bureaucrats. Trades and crafts were usually taught by a shifu. The female historian Ban Zhao wrote the Lessons for Women in the Han Dynasty and outlined the four virtues women must abide to, while scholars such as Zhu Xi and Cheng Yi would expand upon this. Chinese marriage and Taoist sexual practices are some of the customs and rituals found in society.
No comments:
Post a Comment