The Salt star has been traveling the globe on the promotional circuit for her new spy thriller, and we’ve noticed that she (and her stylists) are feeling the long evening looks we’ve been seeing so much of this Resort season. In Moscow on Sunday, she wore a halter-topped Atelier Versace gown in Russian red, complemented by flowing hair and soft, red lips. In Tokyo yesterday, she went back to Donatella’s atelier, choosing a floor-sweeping black Versace gown with a slit high enough to raise plenty of eyebrows (and a heavy, and we’d have to say ill-advised, sky-high beehive to match). And today at a press conference in Seoul, Jolie went the less glamorous route, opting for a full-length column gown with a bare face and barely visible nude heels. It’s been, no doubt about it, a long week. What do you think? Elsewhere, editors like WWD’s Bridget Foley are lamenting that Angie isn’t doing her part as an aspirational fashion icon, a claim that her hit-and-miss style might justify. Do you like Angie’s maxi look—and do you think she’s holding her own on the fashion front?
Clinton wedding shakeup shocker: Chelsea to wear Vera Wang, not Oscar de la Renta, as previously reported?! WWD has its crack investigative team on the case. In less controversial news, Tommy Hilfiger is celebrating his label’s 25th anniversary with a retrospective scrapbook, chronicling his personal and professional life over the past two-plus decades. It will go on sale in Hilfiger stores next month—for a whopping $550. OK, maybe a little controversial, then. After yesterday’s surprise resignation from Vogue Russia editor in chief Aliona Doletskaya, her successor is already in place: former Tatler Russia editor in chief Victoria Davydova (left). Muscovites, as you were. Accessory designer Jérôme Dreyfuss has unveiled the first art installation in his recently opened Soho shop: a canopy of masking-tape flora and fauna created by artist Julien Gardair and inspired by Palm Springs (which also inspired Dreyfuss’ collection). 
You might say they’ve had this date since the beginning. When Aimee Cho and Irini Arakas first met, it was as fellow fashion writers for Vogue. Flash-forward a handful of years, and they’re both successful designers: Cho of Gryphon ready-to-wear, and Arakas of Prova scarves and jewelry. So when they met again at Vogue’s Alumni House pop-up during Fashion’s Night Out, working together was the natural progression. “I spent so many years building up Gryphon, just me by myself, that it was nice to be able to work with someone again who I really respect, and who I know is equally creative,” Cho explained. “It was just such a fun experience to be together again.”
They began with the standard Gryphon trench, a best-seller and one that’s already fostered collaborations. (Last season, Cho worked with Sea of Shoes blogger Jane Aldridge, and her mom, Judy, to create a bell-sleeved version.) The design mixes, nearly seamlessly, the sensibilities of both labels. “I haven’t done a lot with natural, found materials like Irini does,” Cho says. “I love the contrast of the sheen of the metal sequins we used, which I think is representative of Prova, but it’s still a very Gryphon thing to have sequins.” “I wanted it to be organic, like my own line,” Arakas chimes in. “Something with found materials, something nature-based right off the bat.” Hence the luminescent tiger’s-eye, quartz, and mother-of-pearl peeking out from beneath the collar (seen in detail above; for a full view, click below), the sequins shining along the belt and back flap. What’s more, the foray into tailored clothing seems to have given Arakas, whose flowing scarves are a favorite of Ikram Goldman and Barneys alike, a nudge in the clothing direction.
They began with the standard Gryphon trench, a best-seller and one that’s already fostered collaborations. (Last season, Cho worked with Sea of Shoes blogger Jane Aldridge, and her mom, Judy, to create a bell-sleeved version.) The design mixes, nearly seamlessly, the sensibilities of both labels. “I haven’t done a lot with natural, found materials like Irini does,” Cho says. “I love the contrast of the sheen of the metal sequins we used, which I think is representative of Prova, but it’s still a very Gryphon thing to have sequins.” “I wanted it to be organic, like my own line,” Arakas chimes in. “Something with found materials, something nature-based right off the bat.” Hence the luminescent tiger’s-eye, quartz, and mother-of-pearl peeking out from beneath the collar (seen in detail above; for a full view, click below), the sequins shining along the belt and back flap. What’s more, the foray into tailored clothing seems to have given Arakas, whose flowing scarves are a favorite of Ikram Goldman and Barneys alike, a nudge in the clothing direction.
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